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Printmaking Techniques & Preparation and Statement of Inquiry

Statement of Inquiry

How artistic manifestations are capable of showing the Latin American identity using a conflict related to it?

Explanation: using a conflict that had happened in Latin America we had to show and express the Latin American identity by explaining it and showing how the conflict has formed the identity mentioned before.

Preparing the Plate

  • Clean the plate with powder soap

  • With the sand paper (1000) sand the plate and wash it with water

  • Repeat the step with the sand paper 2000

  • Clean the plate with a sponge and the dishwashing soap with soy sauce

  • Dry completely with paper towels

Cooper Sulfate Mordant

  • 50gr of Cooper Sulfate

  • 50gr of salt

  • 1lt of water

  • Dissolve each salt with a little bit of the water for the solution

  • Mix all together on one of the blue trays

  • When reusing the Mordant apply a little bit of hydrogen peroxide

  • If the mordant is not going to be used soon, using the fabric filter, filter the mordant on the sink

  • You can use it to paint of you mix it with linseed oil

Dry Point on Metal or Acrylic

  • File an burnish the edges of the plate

  • Draw with the manual or mechanical drypoint

  • Ink the plate using etching ink with a piece of linóleum

  • Clean the excess of ink with phone book paper

  • When ready print on wet paper

Aquatint

  • Cover the back of the plate with tape

  • File and burnish the edges of the plate and cover them with masking tape

  • Draw with the car wax and a brush

  • Burn the plate on the Cooper Sulfate Mordant

  • Clean the wax and ink the plate following the same process for the drypoint

Aquatint with Background Texture

  • Cover the back of the plate with tape

  • File and burnish the edges of the plate and cover them with masking tape

  • Spray some hair spray

  • Draw with the car wax and a brush

  • Burn the plate on the Cooper Sulfate Mordant

  • Clean the wax and ink the place following the same process for the drypoint

Sugar Etching

  • Cover the back of the plate with tape

  • File and burnish the edges of the plate and cover them with masking tape

  • Mix sugar with indian ink

  • Draw with mix of sugar and a brush

  • Burn the plate on the Cooper Sulfate Mordant

  • Wax the plate with hot water

  • Burn the plate again

  • Ink the plate following the same process for the drypoint

Mezzotint

  • Cover the back of the plate with tape

  • File and burnish the edges of the plate and cover them with masking tape

  • Burn the plate on the Cooper Sulfate Mordant, you can add some texture before with sand paper or with hair spray

  • Scrap and burnish to smooth out the texture if the plate drawing the final image

  • Ink the plate following the same process for the drypoint.

References:

Printmaking and Preparation: presentation in class by Patricia Didier


Done with wix 

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